If
Count Basie had hired
James Brown to replace
Joe Williams as his featured male vocalist, what would the results have sounded like?
Brown offers some suggestions on
Soul on Top, which finds
the Godfather of Soul making an intriguing detour into jazz-minded big-band territory. Recorded in 1969 and reissued on CD in 2004,
Soul on Top unites
Brown with the
Basie-influenced orchestra of jazz drummer
Louie Bellson -- and stylistically, the results are somewhere between soul-funk and the funkier side of big-band jazz. This
Brown/
Bellson collaboration isn't straight-ahead jazz; nor is it typical of
Brown's late-'60s output. But if recording a big-band project with
Bellson was a surprising and unexpected thing for
the Godfather of Soul to do in 1969, it was hardly illogical or bizarre --
Brown, after all, grew up listening to jazz (as well as blues and gospel) and was well aware of the legacies of
Basie,
Lionel Hampton,
Duke Ellington, and others. Besides, jazz and R&B are closely related. While some jazz snobs would have listeners believe that jazz and R&B have little if anything in common, the fact is that they're close relatives that get much of their energy and feeling from the blues. So it makes perfect sense for
Brown to combine soul, funk, and jazz on this album, which finds him revisiting some major hits (including "Papa's Got a Brand New Bag" and "It's a Man's Man's Man's World") in addition to embracing "September Song," "That's My Desire," and other standards that one typically associates with jazz and traditional pop. Although not among
the Godfather's better-known efforts, this fine album is happily recommended to anyone who holds R&B and jazz in equally high regard. ~ Alex Henderson, Rovi
