The k.d. lang who played tribute to Patsy Cline seems a millennium away from the smooth, pop-infused chanteuse on this album. Glowing with happiness and lovey bliss, this lush album is dripping with the kind of bright, slick production that hasn't seen much light since the Brill Building's heyday. Swelling strings, electronic bubbles and warbles...

The k.d. lang who played tribute to Patsy Cline seems a millennium away from the smooth, pop-infused chanteuse on this album. Glowing with happiness and lovey bliss, this lush album is dripping with the kind of bright, slick production that hasn't seen much light since the Brill Building's heyday. Swelling strings, electronic bubbles and warbles, and the occasional mandolin combine to create a sound that manages to evoke a warm feeling of nostalgia without sounding retro. Topping it all off is lang's smooth-as-maple-syrup voice, which shows even greater range than before, occasionally issuing the bell-like tones more often heard from fellow Canadians Jane Siberry and Sarah McLachlan. If there is a fault to this album, it's that it's too smooth; while the listener is surfing these waves of happiness and cushiony pop, an occasional desire for edges and bones surfaces. While "The Consequences of Falling," "Love's Great Ocean," and "Simple" are all fine songs, this recording also lacks the kind of hooky, knockout singles that have been featured on her best albums. ~ Stacia Proefrock, Rovi